Books & Ephemera — Side Room Gallery

Brad Kahlhamer, exhibition catalogue for solo show at Thread Waxing Space, New York, Nov. 17-Dec. 22, 1994. First edition, staple-bound photocopies with b/w illustrations and text by Melinda Gellman, 5 1/2 x 7 1/2 inches

Ken Price: Happy's Curios, catalogue for exhibition curated by Maurice Tuchman at Los Angeles County Museum of Art, April 4 - July 2, 1978, 9 x 10 inches

Ellsworth Kelly, announcement for exhibition Kelly: Lithographies at Galerie Maeght, Paris, June 1965, offset lithograph on paper; foldable card, as issued; interior with text in French, 6 x 4 3/4 (folded)

Ray Johnson, Untitled [The Diaries of Ray Johnson], n.d., Xerox on paper, undated announcement; folded, as issued, 8 1/4 x 10 3/4 inches

Roy De Forest, exhibition catalogue accompanying show Nut Art at California State University, Hayward, 1972, offset lithograph cover, 11 x 8 3/4 inches

Huck Snyder, exhibition announcement for solo show at Civilian Warfare, New York, November 4 - 30, 1983, offset lithograph on pink paper, 16 3/4 x 7 7/8 inches

Fred Martin, catalogue for solo exhibition at Dilexi Gallery, San Francisco, Oct. 9-Nov. 4, 1961. Single-fold card with deckled edge, together with four loose-leaf b/w reproductions, 6 x 4 3/4 inches

Clement Greenberg and Howard Nemerov, Barnett Newman: A Selection, 1946-1952, published on occasion of show curated by Greenberg at French and Company, New York, Mar. 11-Apr. 5, 1959, 8 1/4 x 8 1/2 inches

Jimi Suzuki, Best Time, 1997, self-published artist book designed and printed in Japan by Mitsuo Katsui and Kozo Kakei, with translucent slipcase, 14 1/4 x 10 inches

Brice Marden and Jeffrey Weiss, Brice Marden: Letters, catalogue for solo exhibition at Matthew Marks Gallery, 2011, 10 x 13 1/4 inches

Susan Sontag, Against Interpretation, 1966. First edition. Hardcover with original slipcase. Published by Straus and Giroux, New York, 8 1/4 x 5 7/8 x 1 1/8 inches

Dudley Huppler (cover illus.), Poetry, Vol. CXVI no. 3 (June 1970), offset print on laid paper, 8 x 5 1/2 x 1/4 inches

The Many Hats of Ralph Arnold: Art, Identity, and Politics, exhibition catalogue for solo show at Museum of Contemporary Photography, Columbia College, Chicago, ed. Greg Foster-Rice, 2018, 10 1/4 x 8 3/4 inches

Robert Breer, Poster for Exhibition at Dag Hammarskjold Plaza Sculpture Garden, June-Sept. 1973, silkscreen on coated paper, 8 1/2 x 13 3/4 inches

John Cage, Silence: Lectures and Writings by John Cage. Middletown, CT: Wesleyan University, 1961, 8 1/2 x 10 inches; first edition

Jack Youngerman, poster for solo exhibition at the Betty Parsons Gallery, New York, November 27 - December 16, 1961, 25 3/4 x 16 1/2 inches

Peter Selz, Funk, published to accompany exhibition at University Art Museum of California, Berkeley, April 18-May 29, 1967. 59 pp, 9 color, 30 b/w, 8 1/2 x 9 3/4 inches

Howardena Pindell: Autobiography. Catalogue published to accompany exhibition at Cyrus Gallery, New York, Oct. 5-Nov. 18, 1989, 10 x 8 inches

Catalogue for 1959 retrospective exhibition Attilio Salemme, organized jointly by the Institute of Contemporary Art, Boston, and the Whitney Museum of American Art, New York. Texts by Salemme, Thomas M. Messer, and John I. H. Baur, 9 x 9 inches

Ray Johnson, Untitled [Mirror Writing], 1979, screenprint on paper. Postcard invitation to NY Correspondence School Meeting at Artists Space, NY, 4 1/4 x 6 inches

Timothy Hennessy, mailer for solo exhibition held at Tibor de Nagy Gallery, New York, early-1960s, offset lithograph on paper, folded once, as issued, 5 3/4 x 7 1/2 inches (folded)

Betty Parsons: Artist, Dealer, Collector, by Lee Hall, Harry N. Abrams Inc, New York, 1991, 11 1/4 x 8 3/4 inches

John Willenbecher, Sun Down, 1967, silkscreen on paper with die-cut perforations, foldable construction published by The Museum of Modern Art, 5 x 5 x 3/4 inches

Marta Lee, fold out poster, printed in conjunction with group exhibition Affordable Dream House, 2018 MFA Studio Art Thesis Exhibition, Austin, TX: Visual Arts Center, The University of Texas at Austin, 2018, 23 3/4 x 18 inches (open); essay by Gilles Heno-Coe, verso

William Nelson Copley, Announcement for opening of exhibition at Galerie Alexandre Iolas, Paris, April 22, 1967, offset lithograph on paper, 10 x 6 3/8 inches (unfolded)

Sewell Sillman, Announcement for Exhibition Sewell Sillman: Paintings and Drawings, Feb. 1967, Lyman Allyn Museum, New London, CT, offset lithograph on paper; tripartite foldable card, as issued; text verso, 8 3/4 x 5 3/4 (folded)

Paul Feeley, poster / invite / checklist for solo exhibition at Betty Parsons Gallery, New York, May 14 – June 2, 1962, 20 x 16 inches

Robert Breer, Float, 1970, plastic with motor, 4 x 3 5/8 inches. Published by MoMA/Pepsi, manufactured by Bandai

William Corbett, Albert York, Press Wafer, 2010, first edition, 7 1/2 x 7 1/2 inches

Robert Doty, Contemporary Black Artists in America, catalogue for exhibition at the Whitney Museum of American Art, New York, April 6 - May 16, 1971, 10 x 9 inches

Roy Lichtenstein, Foot Medication, 1963, offset lithograph on paper, folded twice, as issued. Announcement published by Castelli Gallery on occasion of group exhibition of drawings, 23 x 17 inches

Betty Parsons: Heated Sky, catalogue for solo exhibition at Alexander Gray Associates, New York, with contributions by Rachel Vorsanger and Elizabeth Buhe, February 26 - April 4, 2020, 9 x 7 inches

Kenneth Snelson. Announcement for exhibition, Snelson Structures, Pratt Institute School of Architecture, Brooklyn, NY, Mar. 4-15, 1963, 4 x 9 inches

David Breslin, The Precarious, fold out exhibition pamphlet for show at The Menil Collection, Houston, TX, December 15, 2015-May 1, 2016, which included artists Gene Charlton, Sari Dienes, Ellsworth Kelly, Elizabeth McFadden, Robert Rauschenberg, Anne Ryan, and Richard Tuttle, among others, 8 1/2 x 5 1/2 inches

Jean Jones Jackson postcard, c. 1960s, 4 x 6 inches

Nina Tremblay, Joy Harjo, and Alejandro Anreus, Exhibition catalogue for Jaune Quick-to-See Smith, Jersey City Museum, 1994. 120 pp., 9 x 11 x 3/8 inches

Tony Smith (cover illus.) and Donald Windham (author). Tanaquil, or The Hardest Thing of All, 1972. First edition, published by Stamperia Valdonega, Verona. Smith lithograph printed by Shorewood Atelier, New York, edition 25/250. With original cellulose wrapper and yellow slipcase. Signed by both. 9 1/2 x 6 1/4 x 1 inches

Billy Kluver, Julie Martin, and Barbara Rose, Pavilion: Experiments in Art and Technology, 1972. First edition, published by Dutton. 8 x 5 1/2 x 7/8 inches

John Willenbecher, Labyrinth, 1969, silkscreen with gold leaf and embossing on paper, Published by Richard Feigen Graphics, Inc. Printed by Domberger, Germany; foldable card, as issued, 6 x 6 inches

Helen Hoie, black and white announcement card for retrospective exhibition, Helen Hoie: Paintings 1968-1978, 1978, The Parrish Art Museum, Southhampton, NY; addressed to Guggenheim curator Diane Waldman, 8 x 5 inches

Lawrence Alloway, Betty Parsons: Paintings, Gouaches and Sculpture 1955-68. London: Whitechapel Gallery, 1968. Softcover with wraps, 18 b/w illus., 1 color, 8 3/4 x 7 1/4 inches

Clement Greenberg, Exhibition catalogue for Post Painterly Abstraction, held at the Los Angeles County Museum of Art, 1964. Spiral bound, blue printed board covers, 31 b/w illus., 72 pp., 7 x 10 x 1/2 inches

Kathy Acker, Nayland Blake, Low: Good and Evil in the Works of Nayland Blake, catalogue for exhibition at Petersburg Press, New York, 1990, 7 1/2 x 5 inches

Ray Johnson / John Willenbecher. Published by William S. Wilson (In Between Books Press), 1977. 8 1/2 x 10 3/4 inches

Ad Reinhardt, poster for three concurrent exhibitions of paintings at the Betty Parsons Gallery, Graham Gallery, and Stable Gallery, New York, March 1965, 22 1/2 x 17 inches

Fred Martin: Paintings, Collages, Drawings, Prints. Catalogue published for exhibition at San Francisco Museum of Art, Nov. 2-Dec. 30, 1973; text by Suzanne Foley, 8 1/4 x 11 inches

Theora Hamblett: Paintings, by Theora Hamblett, Ed Meek, William S. Haynie. Jackson, MI: University Press of Mississippi, 1975, 12 x 9 1/4

Brice Marden. New York: Solomon R. Guggenheim Museum, 1975; essay by Linda Shearer. Softcover, 68 pages, 7 1/2 x 8 1/2 inches

Postcard of Attilio Salemme's Inquisition, 1952, Whitney Museum of American Art W830. Printed by Arthur Jaffé Heliochrome Co., New York City, 4 x 6 inches

Peter Saul. Foldout catalogue/poster for solo exhibition at Galerie Darthea Speyer, Paris, Nov. 2-Dec. 2, 1972, 6 x 6 inches (folded)

Jaune Quick-to-See Smith, Foldout poster/announcement for solo show at Bernice Steinbaum Gallery, New York, Oct. 10-Nov. 14, 1992. Offset print on coated paper, 12 x 19 1/2 inches

John Willenbecher: Works from the 1960s, exhibition for catalogue at Craig F. Starr Gallery, New York, 2021-22, including essay by Dan Cameron, 9 x 7 inches

Louise Fishman, with texts by Debra Singer, Josephine Halvorson, Suzan Frecon, Aruna D’Souza, Andrew Suggs, Bertha Harris, John Yau, and Louise Fishman. Published by Karma, New York, 2020, 544 pages, hardcover 7 1⁄2 × 9 1⁄4 inches

Ray Johnson, Untitled [Ray Johnson Portraits], 1977, Xerox on paper, announcement for exhibition at Old Cow Art Gallery, Old Westbury; text verso, 5 x 3 3/4 inches

Howardena Pindell: Art Crow/Jim Crow, 1983. Postcard announcing the traveling exhibition, Coast to Coast, consisting of artists books by women of color, including Pindell's Art Crow/Jim Crow limited edition print by Solo Letterpress, New York. Mailed postcard, text and postmarks verso, 4 x 6 inches

Brice Marden, poster for solo exhibition at Pace Gallery, New York, Sept. 26-Oct 25, 1981, 23 x 23 inches

Timothy Hennessy, mailer and poster for solo exhibition held at The Betty Parsons Gallery, New York, May 17-June 10, 1966, offset lithograph on paper, folded twice, as issued, 18 3/8 x 12 inches (open)

F.W. Murnau by Lotte Eisner, University of California Press, Los Angeles and Berkeley, CA, 1973, 8 1/4 x 5 3/4 inches

Tony Smith and Sam Wagstaff, exhibition catalogue for Tony Smith: Two Exhibitions of Sculpture, jointly organized by the Wadsworth Atheneum, Hartford, CT, and The Institute of Contemporary Art at The University of Pennsylvania in Philadelphia, 1966-67, 7 3/4 x 11 inches

Jean-Louis Bourgeois, John Willenbecher, catalogue for exhibition at Alberta College of Art Gallery, Calgary, Canada, December 3 - 22, 1976, 8 x 8 inches

Dan Nadel, Jim Nutt, Gladys Nilsson, Art Green, Karl Wirsum, Suellen Rocca, and Jim Falconer, The Collected Hairy Who Publications, 1966-1969, published by Matthew Marks Gallery, 2015

Robert Breer, catalogue for solo exhibition at Baltic Centre for Contemporary Art, Gateshead, UK, October 26, 2011 - January 29, 2012, traveled to Museum Tinguely, Basel, Switzerland, 11 x 9 1/2 inches

Helen Hoie, folded announcement for exhibition Helen Hoie: Paintings & Collages at la Maison Francaise, New York University, 1976, in collaboration with Babcock Galleries, 4 x 5 1/2 inches

Martin Puryear, Hugh Davies, and Helaine Posner, published on occasion of exhibition at University Gallery, University of Massachusetts at Amherst, Amherst, MA, 1984, 11 x 10 inches

Marcia Tucker and James Monte, exhibition catalogue for Anti Illusion: Procedures and Materials, Whitney Museum of American Art, 1969, 10 1/2 x 8 1/2 inches

Paul Mogensen: Paintings, poster / announcement for solo exhibition at the Bykert Gallery, New York, March 15 - April 3, 1975, 15 1/4 x 15 1/4 inches

Robert Arneson, Face Brick, 1978, signed postcard, Haystack Mountain School of Crafts, Deer Isle, Maine; with inscription and artist signature, verso, dated 10/5/79, 4 x 6 inches

Ray Johnson, Birth Announcement for the Wilson Twins, 1962, offset lithograph on paper. Flyer announcing the birth of twin girls to Johnson’s longtime friend, William S. Wilson. From an unnumbered, privately circulated edition of 500, 11 3/4 x 8 1/4 inches

George Smith and James Harithas, exhibition catalogue published on occasion of Smith's solo show at Everson Museum of Art, Syracuse, NY, 1974

John Bernard Myers and James Merrill, To Remember JJJ: Fourteen Drawings by Jean Jones Jackson, loose portfolio of reproductions on Rives paper and texts by Myers and Merrill, with linen covered clamshell box, Sea Cliff Editions, 1985, edition of 120, 10 x 13 inches

The Drawings of Jasper Johns, fold out pamphlet accompanying solo exhibition at National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., October 6 - November 13, 1966, 10 x 6 1/2 inches

Toyin Ojih Odutola, Tell Me A Story, I Don't Care If It's True, with texts by Odutola and Reginald Moore. Published by Pacific in collaboration with Jack Shainman Gallery. Hardcover with blind deboss on back, 14 × 11 inches, 120 pages, edition of 500

Marta Lee: Shelf Life, 2021, linocut, 6 x 4 inches, edition of 25 + 5 AP, printed in conjunction with solo show at Side Room Gallery, Brooklyn, March 11 - May 11, 2021

Dudley Huppler (cover illus.), Poetry (August 1971), offset print on laid paper, 9 x 5 1/2 inches

Jermaine MacAgy, Totems Not Taboo: An Exhibition of Primitive Art, February 26 - March 29, 1959, Contemporary Arts Museum Houston, TX, first edition, 9 x 6 inches

Ellsworth Kelly, catalogue for solo exhibition at Sidney Janis Gallery, New York, April 5- May 1, 1965, 8 1/2 x 11 inches

Derek Boshier, envelope with ink and collage, together with letter, addressed to Philipp Kochheim, 2017, 4 1/4 x 9 3/4 inches

Matthew Marks, catalogue for exhibition American Prints 1860-1960 from the Collection of Matthew Marks, Bennington College, 1985, 9 x 8 inches

Single fold announcement for exhibition L'acier, sculptures et reliefs: Agam Basic Bury Duarte Geissler Mack Morellet Rickey Schoffer Snelson Sobrino Soto, Galerie Denise Rene, Paris, 1971, 6 x 6 inches

John Willenbecher, fold out announcement and poster for solo exhibition at Feigen / Herbert, New York, October 22 - November 16, 1963, 13 1/2 x 11 1/4 inches (open); unmailed

Clay, catalogue for group exhibition curated by Jacquelyn Rice, Museum of Art, Rhode Island School of Design, March 27 - May 3, 1981, 10 x 8 inches

Thomas Demand, catalogue for exhibition La Carte D'Apres Nature, curated for Nouveau Musée National de Monaco, MACK, 2010, 13 1/2 x 10 1/2 inches

Robert Hudson / Richard Shaw: Works in Porcelain, exhibition catalogue for show at San Francisco Museum of Art, May 11 - July 1, 1973, 10 x 10 inches

Deborah Remington, announcement card for solo exhibition at Galerie Darthea Speyer, Paris, September 29 - November 5, 1971, 4 3/4 x 7 inches

Sewell Sillman: Pushing Limits, catalogue for exhibition at the Florence Griswold Museum, Old Lyme Connecticut, 2010, 9 1/2 x 9 1/2 inches

Tony Smith: Wall, New Piece, One-Two-Three, single-fold announcement card for solo exhibition at Pace Gallery, New York, July 14 - August 19, 2023, 4 x 7 inches

John Urbain: No Ideas But In Things, catalogue for exhibition curated by Yvette Torres at Black Mountain College Museum + Arts Center, Asheville, NC, 2013, 6 x 9 inches

William C. Seitz, catalogue for exhibition The Responsive Eye, The Museum of Modern Art, New York, 1965, 9 1/2 x 8 1/2 inches

Leon Polk Smith, fold out announcement and poster for solo exhibition Leon Smith at Betty Parsons Gallery, New York, 1960, 11 x 8 1/2 inches (unfolded)

Hans Gerber: Der Mensch und sein Werk, by Hans Walter, monograph published by Benteli, Bern, Switzerland, 1982, 9 3/4 x 9 1/4 inches

Martin Puryear, poster for Chicago Sculpture International, Navy Pier, May 10-15, 1984, offset lithograph on paper, 26 x 34 1/2 inches

Sewell Sillman: Peintures a l'aquarelle / esquisses au crayon, poster for solo exhibition at Galerie Denise René, Paris, April, 1987, offset printed, 16 x 16 inches

John Willenbecher, The Commonplace Books of John Willenbecher, Begun in 1961, 1977, The Fine Arts Gallery at Wright State University Dayton, OH, 8 x 8 inches

Paper bag exhibition announcement for group show at Richard Feigen Gallery, The Artists Collect, May 5-30, 1964. Including, among others, John Willenbecher, Jasper Johns, Lee Bontecou, Ellsworth Kelly, Marisol, Robert Indiana, and Roy Lichtenstein

Robert Breer (cover article), Film Culture No. 27 (Winter 1962/63), 11 x 8 1/2 inches

Michael Fried, exhibition catalogue with essay for show Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella, Fogg Art Museum, Harvard University, 1965, 8 1/2 x 8 1/2 inches

Peter Saul: New Paintings, poster and mailer for solo exhibition at Frumkin / Adams Gallery, New York, May 1991, 15 x 22 inches

Dudley Huppler: Drawings, exhibition catalogue for show curated by Robert Cozzolino at the Elvehjem Museum of Art, Madison, Wisconsin, 2002, 11 x 8 1/2 inches

Al Loving, Foldout poster/announcement for Loving's solo show at William Zierler Inc., New York, Mar. 6 - 27, 1971. Offset print on coated paper, 13 x 20 inches (unfolded)

Maureen Dougherty: Borrowed Time, oversized postcard announcement for solo exhibition at Cheim & Read, New York, July 11 - September 16, 2023, 9 x 7 inches

Announcement for Jane Swavely, a solo exhibition on view at CDS Gallery, New York, March 5 - 28, 1987, 6 x 8 3/4 inches

H.H. Arnason, catalogue for exhibition Abstract Expressionists and Imagists at The Guggenheim Museum of Art, New York, 1961, 11 x 8 1/2 inches

Helen Hoie: Paintings, announcement card for solo exhibition at Babcock Galleries, New York, October 5 - 30, 1974; addressed to Guggenheim curator Diane Waldman, 5 1/2 x 7 inches

Lucian Freud, exhibition catalogue for solo show at Anthony D'Offay, London, and Davis & Long, New York, 1978, 8 x 6 3/4 inches

Jean Jones Jackson postcard, c. 1960s, 4 x 6 inches

Betty Parsons' Private Collection, exhibition catalogue for show organized Cranbrook Academy of Art, Bloomfield, MI, with texts by Elayne Varian and Eugene Goossen, 1968, 11 x 8 1/2 inches

Ray Johnson, The Paper Snake, 1965. First edition of notable artist book, published by Something Else Press. Paper boards with offset lithograph dust jacket, sewn bound. Unpaginated, from unnumbered edition of 1840, 8 1/4 x 11 3/4 inches

Adriana Furlong, Tom McGlynn: What Gives. New York: Rick Wester Fine Art, 2023, 8 1/2 x 8 1/2 inches

Painting, Drawing, and Sculpture by Ellsworth Kelly, exhibition catalogue, Washington, D.C., Washington Gallery of Modern Art/Boston, Institute of Contemporary Art, 1963-64, with interview by Henry Geldzahler and foreword by Adelyn D. Breeskin, 7 1/4 x 8 3/4 inches

William C. Seitz, The Art of Assemblage, exhibition catalogue for show at The Museum of Modern Art, New York, October 4 - November 12, 1961, 9 1/2 x 8 3/4 inches

Ay-O: Inner Rainbow, catalogue for solo exhibition at Fuji Television Gallery, Tokyo, February 22-March 16, 1990, 12 x 9 inches

Richard Smith: Seven Exhibitions 1961-75, catalogue for exhibition at Tate Gallery, London, 1975, 5 3/4 x 8 1/4 inches

Robert Cozzolino, With Friends: Six Magic Realists, 1940-65, catalogue for group exhibition featuring Gertrude Abercrombie, Sylvia Fein, Marshall Glasier, Dudley Huppler, Karl Priebe, and John Wilde, Elvehjem Museum of Art, University of Wisconsin-Madison, 2006, 11 x 8 1/2 inches

Jack Youngerman, poster for solo exhibition at the Betty Parsons Gallery, New York, January 11 - 30, 1960, 20 x 13 1/4 inches

Wayne Thiebaud, signed postcard printed in conjunction with solo exhibition at E.B. Crocker Art Gallery, Sacramento, CA, 1970; inscribed and signed by artist, verso, c. 1977, 8 1/2 x 6 inches

William H. Littlefield: 1902-1969: A Retrospective, catalogue for exhibition at Cape Cod Museum of Art, Dennis, MA, May 27 - August 27, 2006

Peter Bradley, Simone Swan, and Clement Greenberg, The De Luxe Show. Houston, TX. The Menil Foundation, 1971. 34 illus., 21 in color, 74 pp., 8 1/2 x 9 1/2 inches

Richard Tuttle: TheStars. London: Modern Art, 2020, 9 x 6 1/2 inches, edition of 500, with works and poems by Tuttle

Brad Kahlhamer, postcard invite for solo show at Thread Waxing Space, New York, Nov. 17-Dec. 22, 1994, 4 x 6 inches

Elayne Varian, Art In Process: The Visual Development of Structure, exhibition catalogue for show curated at Finch College Museum of Art, Contemporary Study Wing, New York, 1966, 8 1/2 x 11 inches

Dudley Huppler, Bella Italia, set of ten vintage postcards, c. 1950s, privately printed for sale at Serendipity in New York, 5 3/4 x 3 1/2 inches (each)

David Simpson: Paintings, by Harvey L. Jones, catalogue for solo exhibition at The Oakland Museum, October 17 - December 3, 1978, 8 1/2 x 8 1/2 inches

Robert Breer, Flix, 1967, flip book published by Cinémathèque canadienne, museum of cinema, on the occasion of the World Retrospective of Animation Cinema, 4 x 2 1/2 inches

Julian Stanczak, fold out exhibition pamphlet for solo show at Martha Jackson Gallery, October 12-30, 1965, 10 x 8 inches

Al Loving: Emperor's Clothing, foldout pamphlet and poster for solo exhibition at Garth Greenan Gallery, March 24 - May 7, 2021, with essay by Evan Moffitt, 8 1/2 x 6 inches (folded)

William Burroughs, Nova Express (1964; excerpts read by the author); together with readings from Jealousy by Alain Robbe-Grillet (1957, 1967, verso), monaural 33 1 1/3 rpm flexidisc record, Aspen Magazine, No. 5 + 6: The Minimalist Issue, Grove Press, New York, 1967, 8 x 8 inches

6 From California, catalogue for group exhibition at Washington State University, Pullman, WA, October 29 - November 20, 1976, including artists Roland Petersen, Robert Arneson, Roy De Forest, Wayne Thiebaud, William T. Wiley, and Franklin Williams, 9 x 9 inches

John Willenbecher: Constructions, fold out announcement and poster for solo exhibition at Richard Feigen Gallery, New York, February 2 - 27, 1965, 17 x 13 1/2 inches (open); unmailed

Collection of Miniature Works by Jean Jones Jackson (1907-1984): From the personal collection of Marguerite Riordan, Stonington, CT, catalogue published by Jeffrey Tillou, Lichtfield, CT, 2019, 8 1/2 x 11 inches

Melissa Cody: She Weaves at Dusk, 2013, single-fold card, printed by Museum of Northern Arizona, 7 x 5 inches

Fred Martin and Philip E. Linhares, The Art of Fred Martin: A Retrospective, 1948-2003. The Oakland Museum of California, 2003, 11 x 8 1/2 inches

Charles Olson, Mayan Letters. London: Jonathan Cape, 1968, 7 1/4 x 4 1/2 inches

Ray Johnson: Collage by Bill Maudlin, postcard for the Image Bank Postcard Show, 1977, offset printed, 6 x 3 3/4 inches

Hans Gerber: Collagen. Text by Hans Curjel and conversation between Hans Gerber and Hans Walter. Zurich and Stuttgart: Aldus Manutius Verlag, 1964, together with slipcase, 7 1/4 x 5 inches

Roy De Forest: Retrospective, catalogue for solo exhibition organized by San Francisco Museum of Art, March 29 - May 12, 1974; traveled to Fort Worth, TX and Salt Lake City, UT, 10 x 10 inches

Jean Arp: Sculpture, Reliefs, Works on Paper, catalogue for exhibition organized by Madeleine Chalette Lejwa, 1975-76, Chalette International, New York, 9 1/2 x 9 1/2 inches

Philip Guston, catalogue for solo show at Sidney Janis Gallery, New York, December 28, 1959-January 23, 1960, 8 1/2 x 11 inches

Nicholas Krushenick, invite for solo exhibition at the Fischbach Gallery, New York, April 6 - 24, 1965, verso with essay by Robert Rosenblum, 7 x 9 inches

The Machine: As Seen at the End of the Mechanical Age, a catalogue of the group exhibition curated by K.G Pontus Hultén at The Museum of Modern Art, New York, November 27, 1968 - February 9, 1969, 9 3/4 x 8 1/2 inches

John Willenbecher, catalogue for solo exhibition at The Everson Museum of Art of Syracuse and Onondaga County, Syracuse, NY, March 7-May 4, 1975, with essay by Ronald Onorato, 9 x 10 inches

Mike Henderson: Before The Fire, 1965-1985, by Sampada Aranka and Dan Nadel. Davis, CA: University of California Press and Manetti Shrem Museum of Art, 2022, 10 3/4 x 9 3/4

Color Riot: How Color Changed Navajo Textiles. Phoenix, AZ: The Heard Museum, 2020, catalogue for exhibition organized by the Heard, 2020, 12 x 9 inches

Tony Smith: Ten Elements and Throwback, exhibition catalogue for show at the Pace Gallery, New York, April 27-June 9, 1979, with essay by Sam Hunter, 8 x 10 inches

John Willenbecher: Five Cenotaphs for Etienne-Louis Boullée (1728-1799), exhibition invite / fold out postcard for solo show at AM Sachs, New York, January 11 - 30, 1975, 8 x 5 inches (open)

Duane Zaloudek: Early Works. Pistoia, Italy: Gli Ori, 2015, with conversation between the artist and Brett Littman, 9 x 5 3/4 inches