(left to right) Marisol and Andy Warhol at the opening of John Willenbecher's 1963 solo exhibition at Feigen Herbert Gallery, New York. Photo by Adelaide de Menil. Courtesy of John Willenbecher.
Jay DeFeo and Mike Henderson at a graduation party, c. 1970. Photo by Bill Arnold.
Dudley Huppler, 1953. Gertrude Abercrombie papers, circa 1880-1986. Archives of American Art, Smithsonian Institution.
Jean Jones Jackson at home in the studio, Palm Beach, FL, n.d.. Courtesy of the Estate of Sandy Jackson.
Home of Jean Jones Jackson and Sandy Jackson, Alice DeLamar Estate, Palm Beach, FL, n.d.. Courtesy of the Estate of Sandy Jackson.
Jean Jones Jackson, February 1972, Alice DeLamar Estate, Palm Beach, FL. Courtesy of the Richard Adams Romney Papers, Yale University Library.
(left to right) Henry Geldzahler, Ruth Kligman, and John Willenbecher at the opening of Willenbecher's 1963 solo exhibition at Feigen Herbert Gallery, New York. Photo by Adelaide de Menil. Courtesy of John Willenbecher.
Ralph Arnold, 1973. Courtesy South Side Community Arts Center, Chicago.
(left to right) Henry Geldzahler and Donald Judd at the opening of John Willenbecher's 1963 solo exhibition at Feigen Herbert Gallery, New York. Photo by Adelaide de Menil. Courtesy of John Willenbecher.
Jean Jones Jackson and Sandy Jackson, Alice DeLamar Estate, Palm Beach, FL, n.d.. Courtesy of the Estate of Sandy Jackson.
Portrait of Jean Jones Jackson, Summer 1967. Photo by Emerick Bronson. Betty Parsons Papers, Archives of American Art, Smithsonian Institution.
Dudley Huppler, Alice DeLamar Estate, Palm Beach, FL, nd. Courtesy of Nona Footz.
Karl Priebe, Gertrude Abercrombie, Dudley Huppler, and unidentified couple, c. 1944. Gertrude Abercrombie papers, circa 1880-1986. Archives of American Art, Smithsonian Institution.
Carl Van Vechten, Portrait of Dudley Huppler, 1950, gelatin silver print, 8 3/4 x 6 1/8 inches. Philadelphia Museum of Art, gift of John Mark Lutz, 1965.
Norma Talma with her family, Barbados, n.d. Courtesy Windsurfer Magazine.
Contact sheet of Jean Jones Jackson, Summer 1967. Photos by Emerick Bronson. Betty Parsons Papers, Archives of American Art, Smithsonian Institution.
Alice DeLamar Estate, Palm Beach, FL, n.d.. Courtesy of the Estate of Sandy Jackson.
Dwinell Grant in his studio, 1979. Photo by Robert Haller. Courtesy Anthology Film Archives.
Dwinell Grant in his studio, 1979. Photo by Robert Haller. Courtesy Anthology Film Archives.
Artists of Civilian Warfare Gallery, 1984 (pictured from left to right in the rear row are Richard Hambleton, Michael Spyluski, Jane Bauman, Greer Lankton, Luis Frangella, David Wojnarowicz, Huck Snyder, Steve Doughton, Bronson Eden, and Judith Glantzman. Reclining on the floor at front are gallerists Alan Barrows and Dean Savard). Photo by Erik Kroll.
Huck Snyder in his studio, New York, c. 1983.
(left to right) Nelly van Doesburg, Timothy Hennessy, Peggy Guggenheim, Arte primitiva nera (Black Primitive Art) exhibition organized by Paolo Barozzi, Venice, 1960, silver gelatin print. Peggy Guggenheim Collection, Venice.
Models wearing robes designed by Timothy Hennessy, c. 1960s. Betty Parsons Papers, Archives of American Art, Smithsonian Institution.
Timothy Hennessy works on the roof of his studio in Greece, c. 1965. Betty Parsons Papers, Archives of American Art, Smithsonian Institution.
Model wearing robes designed by Timothy Hennessy, c. 1960s. Betty Parsons Papers, Archives of American Art, Smithsonian Institution.
Al Loving in his Bowery studio, New York, c. 1970s.
Elaine Schmitt Urbain and John Urbain, Black Mountain College, North Carolina, c. 1946. Courtesy of Black Mountain College Museum & Arts Center, Asheville, NC.
John Urbain in his studio, c. 1950s.
Betty Parsons' studio, designed by Tony Smith, 1960, Southold, NY, 1960. Courtesy of the Tony Smith Estate.
Betty Parsons' studio, designed by Tony Smith, 1960, Southold, NY, 1960. Courtesy of the Tony Smith Estate.
Eric Green and Jock Truman, c. 1970s. Jock Truman papers, 1852-2011, Archives of American Art, Smithsonian Institution.
Tony and Jane Smith in Germany, 1953. Courtesy of the Tony Smith Foundation.
(left to right) Tanaquil Le Clercq, Donald Windham, Buffie Johnson, Tennessee Williams, Gore Vidal, c. 1950s.
Robert Breer, Dag Hammarskjold Plaza Sculpture Garden, New York, 1973.
Interior of Timothy Hennessy Villa, Greece, c. 1975.
Robert Breer lecturing to a crowd including Andy Warhol; Breer solo exhibition, c. 1960s.
Robert Breer with some Floats, 1966
Huck Snyder designed sets and costumes, Bill T. Jones's “Last Supper at Uncle Tom’s Cabin/The Promised Land," (1990). Photo by Jeff Day.
Huck Snyder designed sets and costumes, Bill T. Jones's “Last Supper at Uncle Tom’s Cabin/The Promised Land," (1990). Photo by Jeff Day.
Helen Hoie, c. 1970s. Courtesy the Bridgehampton Museum, NY.
John Willenbecher, photo booth contact sheet, 1969. Courtesy of John Willenbecher.
John Willenbecher studio and apartment, 15 West 68th street, c. 1963. Courtesy of John Willenbecher.
Tony Curtis with his collection of box assemblages, including works by John Willenbecher, Marcel Duchamp, Joseph Cornell, among others, n.d., Courtesy of John Willenbecher.
Installation view, group exhibition at Richard Feigen Gallery, The Artists Collect, May 5-30, 1964. Including, among others, John Willenbecher, Jasper Johns, Lee Bontecou, Ellsworth Kelly, Marisol, Robert Indiana, Roy Lichtenstein, and Andy Warhol.
Brad Kahlhamer, Old Tucson, 1994. Wood, wire, wire. Dimensions variable. Courtesy the artist.
Richard Lippold, Morton Feldman, John Cage, and Ray Johnson in New York, n.d.. Courtesy Harper's Bazaar, July 1952.
(left to right) Ralph Arnold, Richard Hunt, and Jan van der Marck, Ebony Magazine, April 1969
Jean Jones Jackson, c. 1960s. Courtesy Nona Footz.
(Left to Right) Dudley Huppler, Keith Ingermann, unknown man, Jean Jones Jackson, Piero Aversa, unknown man. Alice DeLamar Estate, Palm Beach, FL, n.d.. Courtesy of Nona Footz.
A. Aladar Margberger, director of Fischbach Gallery, New York, in the gallery, c. 1970s.
Apartment of Bettina Jones Bergery, 1 Rue Git Le Coeur, Paris, France, n.d.. Courtesy Nona Footz.
Work by Hans Gerber, c. 1940s
(left to right) Arturo Rodriguez, Demi, David Wojnarowicz, and Mike Glier, 1986, Norton Gallery of Art, West Palm Beach, FL.
Gerald Johnson weaving in his Brooklyn studio, c. 1975.
May Wilson with her grandson, New York, c. 1960s
Work by Hans Gerber, c. 1940s
Ralph Arnold, 1973. Courtesy South Side Community Arts Center, Chicago.
Tony Smith in his studio, c. 1960s, Courtesy of the Tony Smith Foundation.
Attilio Salemme, c. 1940s.
Jimi Suzuki in his studio, n.d.
(left to right) Nicholas Krushenick Stephen Poleskie, Larry Rivers, Larry Zox, c. 1980s.
Brice Marden and Jane Swavely in Marden's studio, c. 1985. Courtesy of Jane Swavely.
(left to right) Jack Youngerman, Duncan Youngerman, Agnes Martin, Robert Indiana, Ellsworth Kelly, Delphine Seyrig, in Ellsworth Kelly's Coenties Slip Studio, New York, 1958.
Sewell Sillman in his Lyme, CT studio, c. 1987. Courtesy Galerie Denise René, Paris.
Jack Youngerman, "Residents of Counties Slip, New York," 1958, including (left to right), Delphine Seyrig, Duncan Youngerman, Lenore Tawney, Jerry Matthews, Ellsworth Kelly, Robert Indiana, Dolores Matthews, and Agnes Martin.
Lenore Tawney in her studio, c. 1960s.
Howardena Pindell in her studio, c. 1978-79. J. Wilson, "Howardena Pindell Makes Art That Makes You Wink," Ms. Magazine, May 1980, pp. 2 and 66 (studio view illustrated).
William H. Littlefield in his studio, Provincetown, MA, n.d..
F. W. Murnau and Henri Matisse in Tahiti, 1930.
Fred Martin, SFAI, c. 1960s.
Fred Martin, SFAI, c. 1960s
Fred Martin at SFAI, c. 1970s.
Hans Gerber, c. 1970s
Hans Gerber, c. 1930s.
Mike Henderson playing in Bill Gens's sculpture class at UC Berkeley, 1965.
James Whitney at home, n.d.. Photo by Jordan Belson.
Helen Hoie, c. 1978. Courtesy of the Parrish Art Museum, Southhampton, NY.
Lingerie design by Helen Hoie, c. 1950s. Courtesy Bridgehampton Museum.
Claus and Helen Hoie, n.d. Courtesy Bridgehampton Museum.
John and James Whitney in their film studio, Los Angeles, c. 1945. Courtesy Whitney Editions, LLC.
Sandú Darié, n.d.
Robert Breer at Lippincott Foundry, with Float, 1970.
Ellsworth Kelly and Ralph Coburn, c. 1948-50
Deborah Remington
Mike Henderson, c.. 1970s. “At the SFAI working on the biggest painting I ever did, during Christmas break. Around about two or three in the morning.” Photo: George Auxier.
Brad Kahlhamer in his New York studio, c. 1990s
Kiki, Bebe, and Seton Smith assembling units for maquette for their father Tony Smith's "Bat Cave," 1969.
Hans Gerber, c. 1930s-40s
Hans Gerber, c. 1960s
Fischbach Gallery director Aladar Marberger, Henry Geldzahler, and Billy in the Hamptons, 1985. Photo by Joe Nicastri.
Guests sitting on tapestries by Timothy Hennessy at a party for Katrina Vanderlip at the estate of Texas socialite Mrs. Joseph Olliphant Lambert, Vincenza, Italy, Vogue Magazine, 1971.
Timothy Hennessy in his studio in Greece, c. 1965. Betty Parsons Papers, Archives of American Art, Smithsonian Institution.
(left to right) Kelvin Cox Vanderlip, Katrina Vanderlip, and Xavier Deleourt, with painted tapestries by Timothy Hennessy, at a party for Katrina at the estate of Texas socialite Mrs. Joseph Olliphant Lambert, Vincenza, Italy, Vogue Magazine, 1971.
(left to right) Robert Rosenblum, Hermine Chivian-Cobb, John Willenbecher at Willenbecher's 15 W. 68th Street apartment, New York. Courtesy of John Willenbecher.
Installation view of exhibition John Willenbecher, Richard Feigen Gallery, New York, 1967. Courtesy of John Willenbecher.
Dudley Huppler, Rome, 1953. Photo by Lee Hoiby.
George Platt Lynes, Advertisement for Henri Bendel featuring three of Huppler's drawings, 1950.
Helen Hoie, c. 1940s. Courtesy Bridgehampton Museum.
Claus and Helen Hoie, c. 1970s. Photo by Ann Sager. Courtesy Bridgehampton Museum.
Helen Hoie, c. 1970s. Courtesy Bridgehampton Museum.
(left to right) Dwinell Grant, Val Telberg, and Ian Hugo, 1981. Courtesy Robert Haller.
Dwinell Grant in his studio, 1979. Photo by Robert Haller.